Dirt Clocks

dirt clocks

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THE OTHER SIDE OF THE EARTH 

DeCordova Museum and Sculpture Park, Lincoln, MA, 1989-92

The Other Side of the Earth consists of two rammed Earth wall like slabs placed on either side of the promontory currently occupied by The Decordova Museum and Sculpture Park. The wall like slabs have been an intuitively aligned and integrated into the natural contours of the site in such a way as to suggest a single continuous form penetrating the hillside. By virtue of their placement on the opposite sides of the hill, it is impossible to see both elements simultaneously. Typically, the viewer will come upon one side and sometime later will discover the other side of the Earth. The simple process of transversing the grounds and visually discovering the opposite elements results in a conceptual unification of the parts of a whole, and simultaneously reveals the existing inherent poetic conditions within the natural contours of the site. The viewer comes in communion with time and space, with the nature of things, and with the earth underneath their feet.

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Above, right side, and below, left side of The Other Side of the Earth

 

Dirt Clock   Ohio State University, 1979

DIRT CLOCK  

Ohio State University, Hopkins and Hayes Hall, Columbus, OH, 1978 – 1980

Dirt Clock consists of raw earth and straw formed into an 8’ x 8’ rammed earth cube, placed in an urban courtyard, a garden.  It is an embodiment of the past. It takes on a life of its own. It has a beginning, a middle, and an end. Each day, it becomes a nonrepresentational record of its place and time, a world of natural phenomenon, response, intervention, dialogue occurring in and around and about the piece. Ultimately, it is transfigured and transformed. It ceases to be as it was once conceived. It takes on a new life, and a new form. Perhaps a flower bed, a field of grass, or simply transported and diffused on the soles of shoes.

Above and below, corner of the Dirt Clock

 

ECLIPSE  

East Carolina University, Greenville, NC 1989

Eclipse, a rammed earth landform that has a reference to the past, has an implied architectural historic presence. It does not refer to specific place or time but rather evokes a sense of that which has come before.  Eclipse illudes to ancient ruins exposed by erosion or by the archaeologist's hand, revealing only a fraction of a much larger built world long gone by.

Above and below, different views of Eclipse

 

OTHER EARTH WORKS and DRAWINGS

AXIS MUNDI A Ceremony, (1989 - 1993) Haystack Mountain School of Arts and Crafts. Deere isle, Maine. Axis Mundi a Ceremony is a time-based environmental installation sited on a tidal island existing a single tide cycle and submerged under the sea.

DMZ, University of Massachusetts at Dartmouth for the Centennial Celebration Sculpture Exhibition -1995. DMZ is a time-based environmental installation comprised of a rammed earth form, a void space in the earth and two life size cast bronze figures. Figure one is visibly, the other figure is inside the rammed earth form. As nature or acts of man affect the earth form the two bronze figures are revealed and stand face to face.

BERLIN, Contemporary Arts Center, New Orleans, LA 1980. BERLIN is a time-based environmental installation comprised of a rammed earth form. Nature and acts of man affect the earth form and the wall will break down, or fall. 

FIBONACCI. Architecture as Art, Mershon Museum, Ohio State University, Columbus, OH 1981. FIBONACCI an environmental rammed earth installation consisting of twelve 12 foot rammed earth columns on the grounds of the Mershon Museum. 

BERLIN.  1989, acrylic painting

JERUSALEM.  1989. Acrylic painting

FIBONACCI.  1989. Bronze model

CENTER OF THE EARTH. 1989. Acrylic painting